Syracuse Dewitt Clinton 10 1/4" Dinner Plate Restaurant Yellow Band NO BIRD 9C

Syracuse Dewitt Clinton 10 1/4

$10.0 Buy It Now or Best Offer
free,30-Day Returns

Seller Store waxwingmcm
(858) 99.3%,

Location: Seattle, Washington
Ships to: US,
Item: 296473129824

Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money back or replacement (buyer’s choice)
Origin:America
Pattern:DeWitt Clinton
Antique:No
Shape:Round
Occasion:All Occasions
Color:Multicolor on White
Material:Vitirified China
Set Includes:Dinner Plate
Vintage:Yes
Syracuse China:Syracuse China
Type:Dinner Plates
Original/Licensed Reproduction:Original
Era:Late 20th Century (1970-1999)
Plate Diameter:10 1/4″
Theme:Flower
Style:Art Nouveau
Time Period Manufactured:1980-1989
Country/Region of Manufacture:United States
Production Technique:Pottery
Backstamp:Printed
Handmade:No
Product Line:DeWitt Clinton

This is for a 10 1/4″ dinner plate from Syracuse China in the DeWitt Clinton Hotel pattern which was also publicly available. This Syracuse pattern features a top line of yellow enclosed in navy blue stripes. Over the yellow band are some pink flowers and red and blue accents. Below that are some pink flowers on green stems, and a yellow and blue unfurling stem of something. The main colors are a burgundy red, yellow, navy blue, and green. This is the version with no center design, so it does NOT have the bird of paradise / pheasant in the middle. This piece of restaurant ware saw some use over the decades! Dullness of glaze in places, subtle utensil marks visible when you hold the plate up at an angle. Still, it’s restaurant ware, built to last! No cracks or chips. No ugly stains. A solid plate ready for more use. Date Codes: 9-C (1980) I also have some scalloped edge bowls (Winthrop shape) in this pattern with the pheasant in the center, a gravy boat with gold rim, a relish plate and coffee mugs. Just ask to bundle. How I Assess Vintage Pieces Please note that my written descriptions are not AI-generated! These are written by a human physically looking at the actual piece. My listings are more than just a one line list of the dimensions. I strive to identify all flaws—even minor ones—in the listing, with both photos and descriptions. This means you know what you are getting from me. Vintage items typically have light signs of usage: utensil marks, diminished shine to the glaze, scratches on the design, chips, crazing, and cracks. The situations mentioned above are exactly what I examine each item for, under a bright light and with glasses on, as I am listing it. I don’t use the word “excellent” unless there is no crazing, no cracks, no chips, zero utensil marks, and no muting of colors or glaze sheen…so I rarely use the word “excellent” for a vintage item. Problems: In the event of a problem, please contact me asap. I want you to be happy with your purchase! Returns: Returns accepted within 30 days of purchase. Buyer pays return postage. No refund will be given if item arrives broken or damaged, so please pack returns very carefully. Feedback I leave feedback within a week after your item is received. If you are considering leaving neutral or negative feedback, please contact me first! I appreciate the chance to make things right. If you check out my feedback, you will see I do not often disappoint. Looking for Other Vintage Mid Century Modern Items? WAXWING MID MOD may be able to help! Let me know what you are after. At any given moment I have 100+ items not listed yet! I focus on mid-century modern plate sets, serving pieces, barware, glassware, stemware, vases, and art. You can find me under AstridWaxwing09 on various platforms. I love reuniting orphan glassware with its pattern family! Franciscan, Noritake, Lenox, Stangl, Salem, California potteries, Dorothy Thorpe, McCoy, Hazel Atlas, Fire King, Anchor Hocking, Pyrex, and Corning Ware/Corelle are some of the brands I seek out and educate myself about. I’m drawn to kitchenware because kitchen is the heart of the home. The ritual of choosing a plate pattern when getting married is one of the first choices an engaged couple makes together. This is when they decide what image of “successful adulthood” they want to portray to their friends and family. Often the bride had more control over these choices—but so much less control about most everything else. Women are still fighting for control over their lives, bodies, education, and destiny. It may seem odd to look backwards at dishes and bowls from the 1920’s-1970’s to be inspired about women’s rights but I am aware on a daily basis that any opportunity or privilege I have today was made possible by women who came before me—intelligent women like my mother who may have not been legally able to have her own checking account or attend certain universities, but still took action to shape a better future.

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