Vintage Fender 85 Eighty-Five Solid State Red Knob Guitar Amp – USA – Giải Ngân Vốn Nhanh Nhất Toàn Quốc

Vintage Fender 85 Eighty-Five Solid State Red Knob Guitar Amp - USA

$799.0 Buy It Now or Best Offer
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Location: Brookline, Massachusetts
Ships to: US,
Item: 256680409932

All returns accepted:ReturnsNotAccepted
Fender:Fender
Fender 85 Eighty-Five:Fender 85 Eighty-Five
Amplifier Type:Combo
Amplifier Technology:Solid State

Made in the USA in 1987, this solid-state Fender Eighty-Five Red Knob guitar amp is in excellent condition and sounds outstanding. Among other notable guitarists, Jonny Greenwood of Radiohead often uses an Eighty-Five both onstage and in the studio. He calls it his “go-to amp.” POWER OUTPUT: 65 Watts R.M.S. The Eighty-Five is much more than a portable Gain Switching Amplifier. In addition to its basic complement of VOLUME, TREBLE, MID, BASS & REVERB, this amp offers a selectable Overdrive channel with features that make it virtually a Two Channel amplifier! The Overdrive channel features Exclusive Fender Pre & De-Emphasis Distortion circuitry, plus a unique distortion-activated Limiter, which provides dynamic interactive control over the distortion characteristic, making the this amp one of the most expressive amplifiers ever made. Fender Pre & De-Emphasis Distortion is based on unique Pre and Post clipper voicing filters designed to simulate the preamp tone settings and speaker output of an overdriven tube amplifier. You get the searing smooth highs backed by deep punch that stack amps are known for. The MID BOOST switch provides a second pre-emphasis voice and the PRESENCE control provides continuous variation of the high frequency content in the de-emphasis voicing. The LIMITER is a feature which will provide gain compression at the onset of distortion and can be used to dial in the exact degree of distortion without sacrificing sustain. This effect is particularly dramatic at high GAIN settings. At high LIMITER and GAIN settings a very dynamic effect can be achieved by varying pick attack. For example, the harder you pick, the cleaner the note. Also, harmonic content wil increase as notes are allowed to sustain. High output pickups with the instrument tone control turned down can achieve reverse envelope, backwards tape effects and many other sounds. The extended range three-band equalization circuitry is post overdrive and can be used to further modify the overall sound of the amp. The amp features All Front Panel Mounted Controls and Jacks, and a classic Fender 3-spring Reverb Tank. The PREAMP-OUT & POWER AMP-IN jacks can be used as an EFFECTS LOOP or as Send and Return points while slaving multiple amps together or for direct connection to recording and sound reinforcement mixers. The possibilities are endless. (i.e.: By inserting a Chorus pedal between the PREAMP-OUT of one amp and the POWER AMP-IN of another, a true stereo image effect can be achieved.) The HEADPHONE jack automatically mutes the speaker in addition to driving Stereo or Mono headphones and can also be used as a line out. The Eighty-Five’s power amp is based on a radically underdamped design that interacts with the speaker in much the same way as a tube amplifier does, producing sparkle and punch with an increase in apparent loudness and power that defies comparison to other similarly rated units. This amp is LOUD, and the Fender Special Design 21-inch speaker handily delivers amazing sound. Front Panel Functions: A. INPUT 1 – A high impedance, high sensitivity plug-in connection for instruments. B. INPUT 2 – Plug-in connection for instruments. This input exhibits a lower input impedance and sensitivity than INPUT ONE and is useful with active preamp guitars, and wil provide a darker tone with passive guitars. Both inputs are identical when used simultaneously. C. VOLUME – Adjusts the overall loudness when not in the OVERDRIVE mode. D. TREBLE – Adjusts the amount of boost (accentuation) or cut (attenuation) in the high frequency range. E. MID – Adjusts the amount of boost or cut in the mid frequency range. F. BASS – Adjusts the amount of boost or cut in the low frequency range. G. REVERB – Adjusts the overall amount of reverberated signal mixed with the original dry signal. H. GAIN – Adjusts the amount of preamp amplification while in the OVERDRIVE mode. Cleaner sound is achieved at lower gain settings, high gain settings will produce more sustain and distortion. This control works in conjunction with the OVERDRIVE-VOLUME control to set the overall loudness at the output. I. MID-BOOST – Activates a special pre-emphasis filter which accentuates mid-range frequencies. J. LIMITER – Adjusts the amount of compression at high GAIN settings. The compression is activated by distortion in the preamp, therefore it is not as noticeable at low gain settings. K. PRESENCE – Adjusts the amount of boost or cut in the upper high frequency range while in the OVERDRIVE mode. This control occurs post preamp distortion and is useful in adjusting the distortion characteristic from brash to smooth. L. SELECT – Activates the OVERDRIVE mode. M. VOLUME – Adjusts the overall loudness while in the OVERDRIVE mode. N. OVERDRIVE INDICATOR – This LED is illuminated when in the OVERDRIVE mode. O. FOOTSWITCH INPUT – You can connect a remote footswitch (not included) to activate the OVERDRIVE mode and to switch the Reverb on and off. P. PREAMP OUT – Thsi jack provides an unbalanced output signal from the preamp. This output can be used in conjunction with the POWER AMP NI jack as a patch point for effect units. This signal can also be used to feed recording and sound reinforcement mixers or to drive other EIGHTY-FIVE amplifiers as slaves. This is done by connecting a standard guitar cord from the PREAMP OUT jack of the master amplifier to the POWER AMP IN jack of the slave. Q. POWER AMP IN – This unbalanced jack inputs signal directly to the power amp. It automatically disconnects the preamp signal when used. This is useful when using the effects loop option or using the EIGHTY-FIVE as a slave amp. R. HEADPHONES – This jack provides an output to standard stereo or mono headphones for private listening. NOTE: Use of this jack automatically disables the main speaker. S. POWER INDICATOR – When this indicator is illuminated the amp is receiving power. T. POWER SWITCH – Turns AC power ON and OFF. When the switch is OFF the amplifier is completely shut down. Dimensions: Height: 17” Width: 18.5” Depth: 9” Weight: 29 pounds One of the finest Fender solid-state amplifiers ever produced, this Eighty-Five is an absolute gem.

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